ORANGE

Julie
Geraldine
Marie
Zeljko
Mia
Aria
Donatella
Gottfrid
Magnus


- NAVIGATING INSTITUTIONS
-- Sharing experiences and narratives, examples of working within institutions
Audio guides
- sound is not symbolic  _(well depending the context ofc...) 


- MOVEMENTS - INDIVIDUALS - INSTITUTIONS
-- exemplary project  of extensive self-documenting of an activist community / movement http://www.ActUporalHistory.org/interviews/
To Scan and Skim an Archive (Workshop)   http://sicv.activearchives.org/w/To_Scan_and_Skim_an_Archive_(Workshop)
The Scandinavian Institute for Computational Vandalism http://sicv.activearchives.org/w/The_Scandinavian_Institute_for_Computational_Vandalism
Para-arachives - audio tour: para.archives.nu

Bringing the body back, into narratives of care (la borde an institution - 'a self institution'?) - the body keeps the score +1+1

- Gray spaces - Third space - heterotopia
--
Heterotopia is a concept in human geography elaborated by philosopher Michel Foucault to describe places and spaces that function in non-hegemonic conditions. These are spaces of otherness, which are irrelevant, that are simultaneously physical and mental, such as the space of a phone call or the moment when you see yourself in the mirror. (Wikipedia) 

- Heterotopia also means spaces that are many things at the same time “juxtaposes in a single real place, several spaces.” This is super interesting in the context of "interventions" in museums where other modes of contextualizing/navigating collections happen.                                 
- a kind of informational reduction in contrast to any idea of greyness (reflected in collections)
- A grey zone that requires communities to engage with “a common selection, indexing, re-situation and actualization,” 
in order to“thrive best in the grey zone between the private sphere and the publicsphere.” - rasmus fleischer stuff. 


- Voids and imaginary spaces

parallal-hidden-forgotten

The Imaginary Museum - Malaraux. 


- make visible the invisible
hidden/exposed in performance, equivalence in private/public with museum-goer using audio guide with headphones
- Circulation of affects in the physical space&in the digital space
Affect as the time and labour invested in the relationship with things and spaces. How this 'space of affection' is removed from discussion and confrontation both in the relationship we have with physical space and digital one.

http://cascoprojects.org/casco-case-study-2-site-for-unlearning-art-organization-0

Defining a third space, A utopian third space? Between object and subject - perhaps we can understand this relationship as a fissure, or a whole in the fabric.
movement between physical space, carrying with us virtual space - a grey space in its own way (is it a different space, though?)
grey zone - a moment, a performative space, transferable - undefinability as a positive (language and lexicon and specificity)
Grey zone as a module, an add on, or something integral?
Is there a format, or mode that can augment the existing material of the museum (rather than re-interpret in a potentially more confrontational way)? Gerladine has spoken about sonic identity of objects?

- ARCHITECTURE (physical-virtual)

Resource folders
Courtsey of Goedele de Caluwe
link:
http://diversions.lan/home/pi/Architecture_Queer_Theory/

Ressources ( 3 folders):

Radio: public space within a public space
headphones: private space in public space
Physical objects 
Affect - emotional value 
Unconscious reading of objects - use 

Architecture from the outside by Elisabeth Grosz - a translation between the physical and virtual space
https://mitpress.mit.edu/books/architecture-outside
http://projectlamar.com/media/groszarchitecture.pdf

The physical museum: 
digitalizing the archive also has the purpose of adding value
organized matter is more valuable than matter without overview.
but value for whom?

there is no catalogue
there is a library and there is a archive 
collection is defined also by what is not catalogued - i.e. by its absent objects
Positive vs negative space - holes in a fabric also create a pattern

Commercial/document value of an digital archive
Validating the importance of the (underfunded) physical collection

Is there a way of archiving the gray matter? 

 Paratext   "at once proximity and distance, similarity and difference, interiority andexteriority, ... something simultaneously this side of a boundary line, threshold, or margin, and alsobeyond it, equivalent in status and also secondary or subsidiary, submissive, as of guest to host, slaveto master.”                                                                          
Gerard Gennet’s articulation of the para-text, “ a threshold, or - a word Borges used apropos of apreface - a "vestibule" that offers the world at large the possibility of either stepping inside or turn-ing back."

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