Difference between revisions of "Palimpsest of the Africa Museum"

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== Palimpsest of the Africa Museum ==
 
== Palimpsest of the Africa Museum ==
  
'''Palimpsest of the Africa Museum'''<ref>http://medusafilms.be/</ref> (Matthias De Groof, Mona Mpembele, 2018) chronicles the long and laborious process of renovating the Africa Museum in Tervuren, Belgium. The documentary follows interventions in the infrastructure, the way the building itself is being remodelled, and restaurations of objects and statues. In the mean time, attempts are being made to change the politics of the institution as well. Throughout the renovations, 'The group of six' (Billy Kalonji, Toma Muteba Luntumbue, Ayoko Mensah, Anne Wetsi Mpoma, Gratia Pungu and Emeline Uwizeyimana) carefully and persistently deconstruct the museum's cultural heritage and its roots in the Belgian colonial project. The stills we selected show moments of ambiguous agency, where it is not so clear who can, should or have a say. While every physical part of the museum is radically transformed in time for its re-opening, the question of entitlement stays fundamentally unadressed and unresolved.
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<p class="intro-pieces">'''''Palimpsest of the Africa Museum'''<ref>http://medusafilms.be/</ref> (Matthias De Groof, Mona Mpembele, 2018) chronicles the long and laborious process of renovating the Africa Museum in Tervuren, Belgium. The documentary follows interventions in the infrastructure, the way the building itself is being remodelled, and restorations of objects and statues. In the mean time, attempts are being made to change the politics of the institution as well. Throughout these renovations, ‘The group of six’ (Billy Kalonji, Toma Muteba Luntumbue, Ayoko Mensah, Anne Wetsi Mpoma, Gratia Pungu and Emeline Uwizeyimana) carefully and persistently deconstruct the museum’s cultural heritage and its roots in the Belgian colonial project. The stills we selected show moments of ambiguous agency, where it is not so clear who can, should or have a say. While every physical part of the museum is radically transformed in time for its re-opening, the question of entitlement remains fundamentally unaddressed and unresolved.''</p>
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Latest revision as of 18:50, 30 November 2020

Palimpsest of the Africa Museum

Allowed them.png
Allowed them bw.png

Palimpsest of the Africa Museum[1] (Matthias De Groof, Mona Mpembele, 2018) chronicles the long and laborious process of renovating the Africa Museum in Tervuren, Belgium. The documentary follows interventions in the infrastructure, the way the building itself is being remodelled, and restorations of objects and statues. In the mean time, attempts are being made to change the politics of the institution as well. Throughout these renovations, ‘The group of six’ (Billy Kalonji, Toma Muteba Luntumbue, Ayoko Mensah, Anne Wetsi Mpoma, Gratia Pungu and Emeline Uwizeyimana) carefully and persistently deconstruct the museum’s cultural heritage and its roots in the Belgian colonial project. The stills we selected show moments of ambiguous agency, where it is not so clear who can, should or have a say. While every physical part of the museum is radically transformed in time for its re-opening, the question of entitlement remains fundamentally unaddressed and unresolved.

Who's telling the story.png
Who's telling the story bw.png
The executioner.png
The executioner bw.png
Permission.png
Permission bw.png
Forgive us.png
Forgive us bw.png