Difference between revisions of "To have the name of the object: conversations with Saskia Willaert"
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==== Conversations with Saskia Willaert ==== | ==== Conversations with Saskia Willaert ==== | ||
− | Saskia Willaert is in charge of the collection of African instruments at the Musical Instruments Museum in Brussels. She is also responsible for the inventory of these instruments and the digital documentation of them. In 2016, we had two conversations with her about the details of that work. | + | ''Saskia Willaert is in charge of the collection of African instruments at the Musical Instruments Museum in Brussels. She is also responsible for the inventory of these instruments and the digital documentation of them. In 2016, we had two conversations with her about the details of that work.'' |
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[[file:hand.JPG|frame|[The digital system] had a big impact. (...) Now we can prove we are the owners of all these objects because we have pictures and because we have systematic links between the inventory number and the physical place where the object is.]] | [[file:hand.JPG|frame|[The digital system] had a big impact. (...) Now we can prove we are the owners of all these objects because we have pictures and because we have systematic links between the inventory number and the physical place where the object is.]] | ||
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Revision as of 16:35, 6 October 2019
To have the name of the object
Conversations with Saskia Willaert
Saskia Willaert is in charge of the collection of African instruments at the Musical Instruments Museum in Brussels. She is also responsible for the inventory of these instruments and the digital documentation of them. In 2016, we had two conversations with her about the details of that work.
October and December 2016, Saskia Willaert in conversation with Michael Murtaugh, Femke Snelting, Martino Morandi and Sam Muirhead. Photographs: Michael Murtaugh